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Tag: Arts

Chiang Mai: First Four Photo Albums

Posted on July 17, 2011July 15, 2011 by Ānandajoti
The Three Kings

The first four albums from my photoshoot in Chiang Mai have just been published, and cover some of the out-of-station sites. I have also added histories, maps and illustrative materials to the various pages

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Virginia Peck’s Buddha Head Paintings

Posted on July 16, 2011June 7, 2011 by Ānandajoti
Buddha Head

Here are some wonderful paintings by Virginia Peck of Buddha Heads. I am always happy to see artists reimagine the forms of the past, which shows that they are still alive and living in someone’s imagination.

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A New Buddha Head

Posted on June 25, 2011May 25, 2011 by Ānandajoti
Buddha Rupa

I went to Penang last week to take some books to various centres on the Island, and at the last place I went to I noticed an incongruous life-sized Buddha Head sticking out of a cardboard box.

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Articles on Indian Art by Benoy K. Behl

Posted on June 18, 2011December 15, 2019 by Ānandajoti
Bodhisattva at Ajanta

Links to writings by Benoy K. Behl on all aspects of Indian art, including series on Buddhist art in its earliest and later stages, besides being a sensitive writer he is also a fine photographer also so that all the articles are richly illustrated.

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Paintings by Paw Oo Thett

Posted on May 28, 2011April 30, 2011 by Ānandajoti
Watercolour on Paper, 19

Paw Oo Thett was one of the most famous Burmese painters in modern times, producing vibrant works in both watercolour on paper and oil paintings on canvas.

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The Traditional Life of Aśvaghoṣa

Posted on January 22, 2011May 31, 2011 by Ānandajoti
Asvaghosa

According to the traditional biography of Aśvaghoṣa, which was translated into Chinese by Kumārajīva, he was originally a wandering ascetic who was able to defeat all-comers in debate.

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J.K. Nariman: Aśvaghoṣa and the Buddhacarita

Posted on January 8, 2011January 12, 2011 by Ānandajoti
Bayon-Buddha

Here is a re-edited short appreciation of the Buddhacarita by Aśvaghoṣa by J.K. Nariman, which can be found in full on my Ancient Buddhist Texts website.

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The Beginnings of Buddhist Art by A. Foucher – V

Posted on December 30, 2010January 5, 2011 by Ānandajoti
Buddha Meditating (Gandhāra)

The sculptors of the second century verify our hypothesis not only in what they reproduce and in what they imitate of the works of the past: we may maintain that they do this, also, indirectly, in what they innovate.

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Kitarō: Theme from The Silk Road

Posted on December 29, 2010January 5, 2011 by Ānandajoti
Kitaro

The silk road featured some beautiful music by someone who was barely known at the time, and who was brought to prominence by writing the haunting theme music for the series, the Japanese musician Kitarō.

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The Beginnings of Buddhist Art by A. Foucher – IV

Posted on December 23, 2010January 5, 2011 by Ānandajoti
Preaching to King Pasenadi (Barhut)

This is a first and certainly very important, but purely material, verification of our hypothesis. There are proofs more subtle than the proof of statistics, which open up deeper views of the development of the ancient Buddhist school.

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The Beginnings of Buddhist Art by A. Foucher – III

Posted on December 16, 2010January 6, 2011 by Ānandajoti
Buddha overcoming the Nāga (Sāñchi)

The whole subsequent development of Buddhist art flows logically from these premises; and henceforth there are none of the still surviving documents which do not successively corroborate the various stages of its evolution.

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The Beginnings of Buddhist Art by A. Foucher – II

Posted on December 9, 2010January 6, 2011 by Ānandajoti
The Awakening (Barhut)

To begin, we have the best reasons for thinking that the habit of adoring human images, and even the art of fabricating them, were still less general in the India of the Brahmans before Alexander than in the Gaul of the Druids before the time of Caesar.

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The Beginnings of Buddhist Art by A. Foucher – I

Posted on December 2, 2010April 13, 2017 by Ānandajoti
Foucher

The following essay discusses the important aniconic phase of Buddhist art, giving a reasonable thesis for its production and development.

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The History and Production of Silk

Posted on November 25, 2010January 6, 2011 by Ānandajoti
Women making Silk, 12th century

In July 2007, archeologists discovered intricately woven and dyed silk textiles in a tomb in Jiang-xi province, dated to the Eastern Zhou Dynasty roughly 2,500 years ago.

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Thangkas 2: Some Examples

Posted on November 3, 2010April 13, 2017 by Ānandajoti
Jatakas

I follow up yesterday’s post on the Buddhist art of Thangka painting with a small collection of photographs from Wikimedia. The highest-definition files I could find are linked to by the small reproductions shown here.

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Adivasi Culture and Civilization by Lobsan Payat

Posted on October 19, 2010May 21, 2011 by Ānandajoti
A Warli painting by Jivya Soma Mashe

Adivasi traditions and practices pervade all aspects of Indian culture and civilization, and the extent and import of Adivasi contributions to Indian philosophy, language and custom have often gone unrecognized.

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Animated Film: The Way

Posted on October 6, 2010April 21, 2011 by Ānandajoti
The-Way

Here is an animated video in the sumi-e style of painting. The film is inspired by Toaist thought and includes drawing of the Yin and Yang symbols as well as the I-ching.

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Kazu Shimura: Buddha Meditation Ink Drawing

Posted on September 21, 2010January 5, 2011 by Ānandajoti
Sumi-e

In this wonderful video of Sumi-e ink and wash drawing of the Buddha we see both the tension and the flowing movement of the young artist Kazu Shimura as he manages to bring a Buddha to life on his canvas.

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Ferenc Cakó: Sand Animation of Vivaldi’s The Four Seasons

Posted on August 25, 2010January 4, 2011 by Ānandajoti
Sand-Animation

Here are four magical sand animation films by Ferenc Cakó set to Vivaldi’s The Four Seasons, which is one of the most evocative pieces in the Western Classical repetoire.

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Prasad Bhandarkar: Bansuri Raga Shivranjani

Posted on August 18, 2010January 4, 2011 by Ānandajoti
Prasad-Bhandarkar

Here are 10 minutes of magic on the Bansuri (Indian Bamboo Flute) from Prasad Bhandarkar, one of the leading disciples of Hari Prasad Chaurasia, accompanied by some friends on the Mood India series.

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Recent Posts

  • Dhammanīti, Dhamma Wisdom Published
  • Childers’ On Sandhi in Pali Published
  • Checkboxes for Long Works on Ancient Buddhist Texts
  • Dharma Storybooks on Photo Dharma
  • The Exalted Chapters, A Simplified Translation of the Udānavarga
  • Translation of the Sanskrit Udānavarga Published
  • The Lives of Inspiring Chinese Nuns
  • Five New Albums on Photo Dharma
  • Henri van Zeyst’s Contributions to the Sri Lankan Encyclopedia of Buddhism
  • The Reliefs of Buddhavanam eBook Published
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