The first four albums from my photoshoot in Chiang Mai have just been published, and cover some of the out-of-station sites. I have also added histories, maps and illustrative materials to the various pages
Read More: Chiang Mai: First Four Photo Albums
Here are some wonderful paintings by Virginia Peck of Buddha Heads. I am always happy to see artists reimagine the forms of the past, which shows that they are still alive and living in someone’s imagination.
Read More: Virginia Peck’s Buddha Head Paintings
I went to Penang last week to take some books to various centres on the Island, and at the last place I went to I noticed an incongruous life-sized Buddha Head sticking out of a cardboard box.
Read More: A New Buddha Head
Links to writings by Benoy K. Behl on all aspects of Indian art, including series on Buddhist art in its earliest and later stages, besides being a sensitive writer he is also a fine photographer also so that all the articles are richly illustrated.
Read More: Articles on Indian Art by Benoy K. Behl
Paw Oo Thett was one of the most famous Burmese painters in modern times, producing vibrant works in both watercolour on paper and oil paintings on canvas.
Read More: Paintings by Paw Oo Thett
According to the traditional biography of Aśvaghoṣa, which was translated into Chinese by Kumārajīva, he was originally a wandering ascetic who was able to defeat all-comers in debate.
Read More: The Traditional Life of Aśvaghoṣa
The sculptors of the second century verify our hypothesis not only in what they reproduce and in what they imitate of the works of the past: we may maintain that they do this, also, indirectly, in what they innovate.
Read More: The Beginnings of Buddhist Art by A. Foucher – V
The silk road featured some beautiful music by someone who was barely known at the time, and who was brought to prominence by writing the haunting theme music for the series, the Japanese musician Kitarō.
Read More: Kitarō: Theme from The Silk Road
This is a first and certainly very important, but purely material, verification of our hypothesis. There are proofs more subtle than the proof of statistics, which open up deeper views of the development of the ancient Buddhist school.
Read More: The Beginnings of Buddhist Art by A. Foucher – IV
The whole subsequent development of Buddhist art flows logically from these premises; and henceforth there are none of the still surviving documents which do not successively corroborate the various stages of its evolution.
Read More: The Beginnings of Buddhist Art by A. Foucher – III
To begin, we have the best reasons for thinking that the habit of adoring human images, and even the art of fabricating them, were still less general in the India of the Brahmans before Alexander than in the Gaul of the Druids before the time of Caesar.
Read More: The Beginnings of Buddhist Art by A. Foucher – II
In July 2007, archeologists discovered intricately woven and dyed silk textiles in a tomb in Jiang-xi province, dated to the Eastern Zhou Dynasty roughly 2,500 years ago.
Read More: The History and Production of Silk
I follow up yesterday’s post on the Buddhist art of Thangka painting with a small collection of photographs from Wikimedia. The highest-definition files I could find are linked to by the small reproductions shown here.
Read More: Thangkas 2: Some Examples
Adivasi traditions and practices pervade all aspects of Indian culture and civilization, and the extent and import of Adivasi contributions to Indian philosophy, language and custom have often gone unrecognized.
Read More: Adivasi Culture and Civilization by Lobsan Payat
Here is an animated video in the sumi-e style of painting. The film is inspired by Toaist thought and includes drawing of the Yin and Yang symbols as well as the I-ching.
Read More: Animated Film: The Way
In this wonderful video of Sumi-e ink and wash drawing of the Buddha we see both the tension and the flowing movement of the young artist Kazu Shimura as he manages to bring a Buddha to life on his canvas.
Read More: Kazu Shimura: Buddha Meditation Ink Drawing
Here are 10 minutes of magic on the Bansuri (Indian Bamboo Flute) from Prasad Bhandarkar, one of the leading disciples of Hari Prasad Chaurasia, accompanied by some friends on the Mood India series.
Read More: Prasad Bhandarkar: Bansuri Raga Shivranjani